{"id":3144,"date":"2026-07-22T07:22:06","date_gmt":"2026-07-22T07:22:06","guid":{"rendered":"https:\/\/museconnect.art\/?page_id=3144"},"modified":"2026-07-22T07:22:06","modified_gmt":"2026-07-22T07:22:06","slug":"muze-kart-255","status":"publish","type":"page","link":"https:\/\/museconnect.art\/en\/muzeler\/muze-kart-255\/","title":{"rendered":"Karatay (\u00c7ini Eserler) M\u00fczesi"},"content":{"rendered":"

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\t\"Karatay<\/p>\n

Konya \u00b7 Ferhuniye<\/div>\n

Karatay (\u00c7ini Eserler) M\u00fczesi<\/h2>\n
4,6<\/span> \u2605  \u00b7  2.171 de\u011ferlendirme  \u00b7  A\u00e7\u0131l\u0131\u015f 09:00<\/div>\n

Medrese Karatay \u0130l\u00e7esi, Ferhuniye Mahallesi, Adliye Bulvar\u0131'nda Aladdin Tepesi'nin kuzeyinde yer almaktad\u0131r. Karatay Medresesi, Sultan II. \u0130zzeddin Keykavus Devrinde, Emir Celaleddin Karatay taraf\u0131ndan, 649, H. (1251 M.) y\u0131l\u0131nda yapt\u0131r\u0131lm\u0131\u015ft\u0131r. Mimar\u0131 bilinmemektedir. Osmanl\u0131 Devrinde de kullan\u0131lan medrese XIX. y\u00fczy\u0131l\u0131n sonlar\u0131nda terk edilmi\u015ftir. Medrese Sel\u00e7uklular Devrinde hadis ve tefsir ilimleri okutulmak \u00fczere "Kapal\u0131 Medrese" tipinde Sille ta\u015f\u0131ndan in\u015fa edilmi\u015ftir. Tek katl\u0131d\u0131r. Giri\u015f do\u011fudan g\u00f6k ve beyaz mermerden yap\u0131lm\u0131\u015f kap\u0131 ile sa\u011flanmaktad\u0131r. Kap\u0131 Sel\u00e7uklu Devri ta\u015f i\u015f\u00e7ili\u011finin \u015faheser bir \u00f6rne\u011fidir. Yaz\u0131 ve desenlerle s\u00fcslenmi\u015ftir. Kap\u0131n\u0131n \u00fczerinde medresenin yap\u0131m\u0131 ile ilgili kitabeler yer almaktad\u0131r. Kap\u0131n\u0131n di\u011fer y\u00fczeylerine se\u00e7me ayet ve hadisler kabartma olarak i\u015flenmi\u015ftir. Kap\u0131dan, evvelce kubbe ile \u00f6rt\u00fcl\u00fc (\u015fimdi \u00fczeri a\u00e7\u0131k) bir avluya, buradan da bir kap\u0131 ile medreseye girilir. Medrese salonunun \u00fczeri, merkezinde fener bulunan ve mozaik \u00e7inilerle kapl\u0131 kubbe ile \u00f6rt\u00fcl\u00fcd\u00fcr. Kubbe kasna\u011f\u0131nda, duvarlar\u0131n \u00fcst k\u0131s\u0131mlar\u0131ndaki bord\u00fcrlerde ve h\u00fccre kap\u0131lar\u0131 \u00fczerindeki panoda ayetler yaz\u0131l\u0131d\u0131r. Binan\u0131n bat\u0131 y\u00f6n\u00fcnde bulunan be\u015fik tonozlu eyvan\u0131n kemerinde besmele ve Ayet-el K\u00fcrsi yer almaktad\u0131r. Kubbeye ge\u00e7i\u015f eleman\u0131 olan \u00fc\u00e7genlerde ise Muhammed, \u0130sa, Musa ve Davud peygamberlerin isimleri ile d\u00f6rt halifenin (Ebu Bekir, \u00d6mer, Osman, Ali)'nin isimlerine yer verilmi\u015ftir. Eyvan\u0131n solundaki kubbeli h\u00fccre Celaleddin Karatay'\u0131n t\u00fcrbesidir. Medrese duvarlar\u0131ndaki mozaik \u00e7inilerin b\u00fcy\u00fck bir k\u0131sm\u0131 d\u00f6k\u00fclm\u00fc\u015ft\u00fcr. \u00c7inilerde kullan\u0131lan renkler, turkuvaz (firuze), lacivert ve siyaht\u0131r. Anadolu Sel\u00e7uklu Devri \u00e7ini i\u015f\u00e7ili\u011finde \u00f6nemli yeri bulunan Karatay Medresesi 1955 y\u0131l\u0131nda "\u00c7ini Eserler M\u00fczesi" olarak ziyarete a\u00e7\u0131lm\u0131\u015ft\u0131r. Sergilenen eserler Anadolu, Sel\u00e7uklu ve Osmanl\u0131 D\u00f6nemine aittir. Celaleddin Karatay T\u00fcrbesi'nin bulundu\u011fu h\u00fccrede ve g\u00fcneydeki \u00f6\u011frenci h\u00fccrelerinde Kubad-Abad Saray\u0131 \u00e7inileri al\u00e7\u0131 s\u00fcsleri, \u00e7ini tabaklar, kandiller ve s\u0131rs\u0131z seramikler sergilenmektedir. Kubad-Abad Saray\u0131 \u00e7inileri ha\u00e7, yar\u0131m ha\u00e7, sekiz k\u00f6\u015feli y\u0131ld\u0131z ve kare \u015feklinde olup, l\u00fcster ve s\u0131ralt\u0131 tekni\u011fi ile yap\u0131lm\u0131\u015ft\u0131r. I.Alaeddin Keykubat'\u0131n emri ile yapt\u0131r\u0131lan Kubad-Abad Saray\u0131 \u0130brahim Hakk\u0131 Konyal\u0131 ve Prof. Dr. Osman Turan'\u0131n Bey\u015fehir civar\u0131nda olmas\u0131 gerekti\u011fini i\u015faret etmelerinden sonra 1949 y\u0131l\u0131nda Konya M\u00fcze M\u00fcd\u00fcr\u00fc Zeki Oral taraf\u0131ndan bulunmu\u015ftur. 1952'de Zeki Oral'\u0131n, 1965-1966'da Katharina Ottodorn'un ve 1967'de Mehmet \u00d6nder'in sondaj ve kaz\u0131 \u00e7al\u0131\u015fmalar\u0131 ard\u0131ndan uzun s\u00fcre kendi kaderine terk edilen Kubad-Abad 1980 y\u0131l\u0131ndan itibaren Prof. Dr. R\u00fc\u00e7han Ar\u0131k taraf\u0131ndan yeniden ele al\u0131narak sistemli kaz\u0131lara ba\u015flanm\u0131\u015ft\u0131r. Eyvanda Sel\u00e7uklu D\u00f6nemine ait \u00e7ini kal\u0131nt\u0131lar\u0131, Sel\u00e7uklu ve Osmanl\u0131 D\u00f6nemine ait seramikler te\u015fhir edilmektedir. Kubbeli salonda Sel\u00e7uklu D\u00f6nemine ait cam tabak, \u00e7ini par\u00e7alar\u0131, Bey\u015fehir E\u015frefo\u011flu Camii'ne ait tavan g\u00f6bekleri ve Osmanl\u0131 D\u00f6nemine ait seramikler bulunmaktad\u0131r. M\u00dcZE BRO\u015e\u00dcR\u00dcN\u00dc \u0130ND\u0130R YAKININDAK\u0130 M\u00dcZELER MEVLANA M\u00dcZES\u0130 KONYA ERE\u011eL\u0130 M\u00dcZES\u0130 KONYA ARKEOLOJ\u0130 M\u00dcZES\u0130 KONYA ATAT\u00dcRK EV\u0130 M\u00dcZES\u0130 KONYA ETNOGRAFYA M\u00dcZES\u0130 KONYA \u00c7ATALH\u00d6Y\u00dcK \u00d6RENYER\u0130<\/p>\n

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Ziyaret Bilgileri<\/div>\n
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Adres<\/div>\n
Ferhuniye, 42040 Sel\u00e7uklu\/Konya, T\u00fcrkiye<\/div>\n<\/div>\n
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Telefon<\/div>\n
03323511914<\/a><\/div>\n<\/div>\n
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Kapal\u0131 G\u00fcn<\/div>\n
Kapal\u0131 g\u00fcnler<\/div>\n<\/div>\n
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M\u00fczekart<\/div>\n
Ge\u00e7erli<\/div>\n<\/div><\/div>\n
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Ziyaret\u00e7i Notlar\u0131<\/div>\n
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Ziyaret\u00e7i<\/div>\n
\u00b7 \u2605\u2605\u2605\u2605\u2605<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
Konya\u2019ya yaln\u0131zca bu m\u00fczeyi ziyaret etmek i\u00e7in bile gidebilirsiniz. E\u015fsiz g\u00fczellikte\u2026 Sel\u00e7uklu ve beylikler d\u00f6nemi eserleri bana hep daha g\u00fczel ve ilgi \u00e7ekici gelmi\u015ftir. Bu m\u00fczedeki \u00e7iniler de d\u00f6nemin bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131 \u00e7ok g\u00fczel ortaya koyuyor. Ne\u2026<\/div>\n<\/p><\/div>\n
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Ziyaret\u00e7i<\/div>\n
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Eserler Sel\u00e7uklu Devleti hakk\u0131nda \u00e7ok g\u00fczel bilgiler veriyor. Bah\u00e7ede eserlerin bulunmas\u0131 ayr\u0131 bir atmosfer katm\u0131\u015f. \u00c7iniyi bu kadar \u00e7e\u015fitli estetik \u00f6gelerde kullanmalar\u0131 \u00e7ini sanat\u0131n\u0131 b\u00fcy\u00fck \u00f6l\u00e7\u00fcde geli\u015ftirmi\u015ftir.<\/div>\n<\/p><\/div>\n
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Ziyaret\u00e7i<\/div>\n
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Konya\u2019ya yolunuz d\u00fc\u015ferse mutlaka u\u011franmas\u0131 gereken yerlerden biri Karatay Medresesidir. \u0130\u00e7eri ad\u0131m att\u0131\u011f\u0131n\u0131zda Sel\u00e7uklu\u2019nun ihti\u015faml\u0131 ta\u015f i\u015f\u00e7ili\u011fi ve \u00e7ini s\u00fcslemeleri hemen dikkat \u00e7ekiyor. \u00d6zellikle kubbenin alt\u0131na ge\u00e7ti\u011finizde g\u00f6ky\u00fcz\u00fcn\u00fc and\u0131ran mavi \u00e7iniler insana tarifsiz bir huzur veriyor.\u2026<\/div>\n<\/p><\/div>\n
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Ziyaret\u00e7i<\/div>\n
\u00b7 \u2605\u2605\u2605\u2605\u2605<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\u00d6ncelikle bilet fiyatlar\u0131n\u0131n \u00f6zellikle T\u00fcrkler i\u00e7in \u00e7ok y\u00fcksek olmas\u0131n\u0131 hatta Euro ile olmas\u0131n\u0131 ele\u015ftirebilirim. Anadolu'nun ilk \u00e7ini s\u00fcslemeleri ile dolu olan m\u00fczesidir. \u00c7ok pahal\u0131 \u00e7inilerdir. Devlet denilen olgu kendi ba\u015f\u0131na hayat bulamaz, mutlaka insanlar\u0131n omuzlar\u0131 \u00fczerinde\u2026<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Medrese Karatay \u0130l\u00e7esi, Ferhuniye Mahallesi, Adliye Bulvar\u0131’nda Aladdin Tepesi’nin kuzeyinde yer almaktad\u0131r. Karatay Medresesi, Sultan II. \u0130zzeddin Keykavus Devrinde, Emir Celaleddin Karatay taraf\u0131ndan, 649, H. (1251 M.) y\u0131l\u0131nda yapt\u0131r\u0131lm\u0131\u015ft\u0131r. Mimar\u0131 bilinmemektedir. Osmanl\u0131 Devrinde de kullan\u0131lan medrese XIX. y\u00fczy\u0131l\u0131n sonlar\u0131nda terk\u2026<\/p>","protected":false},"author":1,"featured_media":0,"parent":2235,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_zipai_imported":false,"footnotes":""},"museum_city":[20],"class_list":["post-3144","page","type-page","status-publish","hentry","museum_city-konya"],"spectra_blocks_featured_image_url":null,"spectra_blocks_author_info":{"display_name":"emrahyldz93@gmail.com","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/af7adb8afa3897fea6dfc30ecf4808190030b7b11617e82064d2079b7f1e6800?s=96&d=mm&r=g","author_link":"https:\/\/museconnect.art\/en\/author\/emrahyldz93gmail-com\/","description":""},"_links":{"self":[{"href":"https:\/\/museconnect.art\/en\/wp-json\/wp\/v2\/pages\/3144","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museconnect.art\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/museconnect.art\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/museconnect.art\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museconnect.art\/en\/wp-json\/wp\/v2\/comments?post=3144"}],"version-history":[{"count":1,"href":"https:\/\/museconnect.art\/en\/wp-json\/wp\/v2\/pages\/3144\/revisions"}],"predecessor-version":[{"id":3145,"href":"https:\/\/museconnect.art\/en\/wp-json\/wp\/v2\/pages\/3144\/revisions\/3145"}],"up":[{"embeddable":true,"href":"https:\/\/museconnect.art\/en\/wp-json\/wp\/v2\/pages\/2235"}],"wp:attachment":[{"href":"https:\/\/museconnect.art\/en\/wp-json\/wp\/v2\/media?parent=3144"}],"wp:term":[{"taxonomy":"museum_city","embeddable":true,"href":"https:\/\/museconnect.art\/en\/wp-json\/wp\/v2\/museum_city?post=3144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}